--- title: 'How to Sing Like Kim Lip (LOONA/ARTMS): Husky Tone & Rhythm' description: >- Learn how to sing like Kim Lip of LOONA/ARTMS through mid-low husky tone, dance-beat rhythm delivery, passaggio control, breath support, and Bloom Vocal AI feedback. language: en canonical: 'https://www.bloomvocal.site/en/blog/how-to-sing-like-kim-lip-loona' author: Bloom Vocal Team publishedAt: '2026-08-05' category: kpop tags: - how to sing like Kim Lip - Kim Lip vocal range - Kim Lip LOONA - Kim Lip ARTMS - husky tone singing technique - K-pop rhythm delivery - dance vocal training - AI vocal coach --- # How to Sing Like Kim Lip (LOONA/ARTMS): Husky Tone & Rhythm Learn how to sing like Kim Lip of LOONA/ARTMS through mid-low husky tone, dance-beat rhythm delivery, passaggio control, breath support, and Bloom Vocal AI feedback. [Source](https://www.bloomvocal.site/en/blog/how-to-sing-like-kim-lip-loona) Author: Bloom Vocal Team The team writes and edits Bloom Vocal content about singing and vocal practice. This profile does not list individual contributors, credentials, or clinical reviewers. **Singing like Kim Lip of LOONA/ARTMS is not about chasing high notes — it is about a mid-low husky tone color, dance-beat rhythm delivery, and clean passaggio control inside a compact vocal range.** No officially measured individual vocal range has been published for her, so the useful approach is not to guess a number but to train the mechanisms that make her sound recognizable: weighted chest resonance, precise timing, and a smooth transition through the passaggio. > **Safety note**: A husky, weighted tone should come from steady vocal-fold contact and breath support, not from pushing air, scratching the throat, or forcing volume. Stop if you feel pain, persistent rasp, or a pressed larynx. Reduce volume and rest when the voice feels fatigued, and consult an ENT specialist for hoarseness that lasts more than two weeks. ## Kim Lip's Vocal Profile Kim Lip performs as part of LOONA and its associated units ODD EYE CIRCLE and ARTMS. **No officially measured individual vocal range for Kim Lip has been published** by vocal-analysis sources, fan databases, or official channels searched for this guide, so this profile is intentionally built around her songs rather than a numeric range. No voice-type classification (such as soprano or alto) has been published for her either, and none should be assumed. What is consistently identifiable across her discography is a set of technique choices: - **Mid-low husky tone**: many of her lead and feature vocals sit in a lower, weighted register rather than reaching for the top of the range, giving the tone a distinct texture. - **Dance-beat rhythm delivery**: her phrasing frequently locks tightly to a rhythmic groove, with consonants and syllables landing precisely on the beat. - **Compact-range passaggio control**: transitions between her chest-weighted lower lines and lighter upper phrases happen within a relatively narrow span, so the transition itself has to be smooth rather than dramatic. Because there is no reliable published range, do not try to reverse-engineer a target from an online claim. Instead, transpose each song into your own comfortable key and study how the tone, rhythm, and transition behave at that pitch. ## Kim Lip's Signature Songs — by Vocal Challenge The songs below move from a narrower technical demand toward more combined coordination. This is not a ranking of the artist or her discography — it is a practice order that helps you separate tone, rhythm, and transition before combining them. | Song | Primary challenge | Technique to develop first | | ----------------------------------------- | ---------------------------------------------------------------------------- | --------------------------------------------------------- | | "Eclipse" (2017 solo) | Keeping a mid-low husky tone clear without losing presence | Onset and vocal-fold contact — C-16 | | "Sweet Crazy Love" (ODD EYE CIRCLE, 2017) | Delivering a swing rhythm accurately | Rhythm delivery — B-19 | | "Girl Front" (ODD EYE CIRCLE, 2017) | Fast lyric diction at tempo | Rhythm delivery — B-19 with diction focus | | "Butterfly" (2019) | Holding steady pitch at low volume | Breath support — B-1 | | "PTT (Paint The Town)" (2021) | Maintaining vocal presence over a driving beat while transitioning registers | Register transition and support — C-3 with breath support | Start with a single verse, not the full track. The most demanding song on this list is a destination, not a starting point: you should be able to repeat the underlying tone and rhythm coordination at moderate volume before adding a full dance-beat performance on top. ## The 3 Techniques Behind Kim Lip's Sound ### Mid-low husky tone A husky, weighted tone comes from firm but coordinated vocal-fold contact combined with steady breath support — not from scratching the throat or forcing extra air through. Practice a speech-like phrase in your comfortable mid-low range, keep the jaw and throat relaxed, and let the texture emerge from the balance between airflow and vocal-fold closure. The [breathy voice and SOVT contact guide](https://www.bloomvocal.site/en/blog/breathy-voice-sovt-contact-guide) is a useful companion here because it trains the same contact-and-airflow coordination from the opposite end. A common mistake is trying to manufacture a husky sound by adding extra breathiness or by pushing volume, both of which can destabilize pitch and tire the voice quickly. Use C-16 to build a clean, controlled onset first, then layer texture on top only once the pitch stays centered. ### Dance-beat rhythm delivery Rhythm delivery is the skill of landing consonants and vowel onsets precisely against a beat, which matters more in up-tempo dance tracks like "Sweet Crazy Love" and "Girl Front" than raw vocal power does. Speak the lyric in rhythm against a metronome before singing it, then slow the tempo down and rebuild it back up to performance speed. The [chest voice and head voice guide](https://www.bloomvocal.site/en/blog/chest-voice-head-voice) helps you understand how register choice interacts with rhythmic phrasing so the groove does not get lost when the pitch changes. The common mistake is rushing consonants to keep up with the tempo, which blurs diction and loses the groove. Use B-19 to isolate rhythm from pitch and tone, then reintroduce the melody once the timing is locked. ### Passaggio control in a compact range Even within a compact overall range, moving between a chest-weighted lower line and a lighter upper phrase — as heard in "PTT (Paint The Town)" — requires the vocal folds to adjust smoothly while the diaphragm keeps supporting the airflow. Begin with a lip trill or a narrow slide, then map the same shape onto the song's actual melody. The [female passaggio and mix voice guide](https://www.bloomvocal.site/en/blog/female-passaggio-mixvoice-guide) offers adjacent drills for refining this transition. A common mistake is carrying too much chest weight into the upper phrase, which creates a pressed or strained sound at the transition. Use C-3 and C-4 to practice the slide slowly, keeping the larynx free and the volume moderate until the transition feels continuous. ## How to Train Toward Kim Lip's Style ### Step 1 — Map your comfortable key Choose one song and transpose it until the verse and chorus both feel repeatable without strain. Mark the phrases where breath support has to increase and where the transition point sits in your own voice. **Checkpoint:** you can sing the melody twice with a relaxed throat. **Common mistake:** keeping the original key out of habit, which can push the transition outside your comfortable range. ### Step 2 — Study the song-level contrast Listen to "Eclipse," "Sweet Crazy Love," "Girl Front," "Butterfly," and "PTT (Paint The Town)" for separate targets: tone weight, swing rhythm, fast diction, low-volume steadiness, and register transition. Speak one lyric line, then sing it on a single vowel. **Checkpoint:** you can name the tone, rhythm, and transition goal before recording. **Common mistake:** trying to copy the husky texture before pitch and rhythm are stable. ### Step 3 — Train a mid-low husky tone Use C-16 at a moderate volume in your mid-low range. Start with a firm, unpressed onset, keep the diaphragm engaged, and let the tone stay weighted without becoming pressed. Repeat on a phrase from "Eclipse" or "Butterfly." **Checkpoint:** the tone stays clear and centered without added breathiness. **Common mistake:** forcing extra air through the voice to sound huskier, which destabilizes pitch. ### Step 4 — Lock in rhythm delivery Use B-19 against a metronome to drill consonant and vowel timing on a phrase from "Sweet Crazy Love" or "Girl Front." Start slow, then increase to performance tempo only once every syllable lands cleanly. **Checkpoint:** the rhythm holds steady even when you speed up. **Common mistake:** rushing the consonants instead of the whole phrase, which throws off the groove. ### Step 5 — Smooth the passaggio and add AI feedback Practice C-3 and C-4 on a slow slide through the transition point in "PTT (Paint The Town)," keeping the larynx free and the breath steady. Record the same phrase and use Bloom Vocal AI to review pitch accuracy, breath support, register transitions, rhythm stability, and expression. **Checkpoint:** you can identify one specific adjustment to repeat next session. **Common mistake:** changing tone, rhythm, and transition all at once, which hides which technique actually needs work. ## Check Your Cover with AI Kim Lip's style is easiest to train when a recording isolates one variable at a time. Upload a short cover of "Eclipse" to check mid-low tone control, "Sweet Crazy Love" for rhythm delivery, or "PTT (Paint The Town)" for register transition and breath support. Bloom Vocal's AI reviews **pitch accuracy, breath support, register transitions, rhythm stability, and expression** on a 1-5 rubric, then connects the weakest area to a practice direction. For example, if a transition point loses support and the tone thins out during the lift, the feedback loop points toward a C-4 drill before you add the full dance-beat performance on top. If timing drifts under tempo but tone and pitch stay solid, the recommendation shifts toward B-19 rhythm work instead. This keeps the goal technical: you are training the coordination a phrase requires, not evaluating the artist. The [K-pop idol vocal style analysis guide](https://www.bloomvocal.site/en/blog/idol-vocal-style-analysis-kpop) gives a broader framework for turning an artist's sound into trainable components, while the [best AI vocal coach apps guide](https://www.bloomvocal.site/en/blog/best-ai-vocal-coach-apps-2026) helps you compare feedback workflows. *** ## References - Sadolin, C. (2000). *Complete Vocal Technique*. Shout Publishing. Vocal modes, onset choices, resonance, and register coordination. - Titze, I. R., & Verdolini Abbott, K. (2012). *Vocology: The Science and Practice of Voice Habilitation*. National Center for Voice and Speech. Breath support, vocal-fold contact, and efficient phonation. ## How to Sing Like Kim Lip (LOONA/ARTMS) in 5 Steps A practical, voice-safe method for building Kim Lip's mid-low husky tone and dance-beat rhythm delivery in your own voice. Duration: PT30M 1. **Map your comfortable key**: Choose one song and transpose it until the verse sits comfortably in your mid-low range. Mark where breath support has to increase before you imitate any tone color. 2. **Study the song-level contrast**: Compare the weighted mid-low verses, the rhythmic dance choruses, and the narrow passaggio lifts across the five target songs. Notice how each demands a different balance of tone and timing. 3. **Train a mid-low husky tone**: Use C-16 with a firm, unpressed onset and steady diaphragmatic support. Keep the sound weighted but free, so the texture stays coordinated instead of forced. 4. **Lock in rhythm delivery**: Use B-19 to drill consonant and vowel timing against a metronome, then apply the same precision to a chorus line at performance tempo. 5. **Smooth the passaggio and add AI feedback**: Use C-3 and C-4 on gentle slides through the transition point, then record a phrase for Bloom Vocal AI. Review pitch, breath, register, rhythm, and expression before adjusting tone. ## Frequently asked questions ### What is Kim Lip's vocal range? There is no officially measured individual vocal range published for Kim Lip of LOONA/ARTMS. Instead of chasing an unverified number, transpose her songs to a key where your voice stays coordinated and train the tone and rhythm techniques she is known for. ### Do I need a low or husky voice type to sing like Kim Lip? You do not need a naturally husky voice type. Her mid-low tone color comes from controlled vocal-fold contact and breath support, not vocal strain, so most voices can develop a similar weighted texture with practice. ### How do I get a husky, weighted tone like Kim Lip without straining? A husky mid-low tone comes from steady vocal-fold contact combined with strong breath support, not from pushing or forcing air through the throat. Practice a firm but relaxed onset and keep the diaphragm engaged so the texture does not turn into strain. ### How do I practice the rhythm delivery in Kim Lip's dance tracks? Rhythm delivery is precise timing of consonants and vowel onsets against the beat. Speak the lyrics in rhythm first, then sing them at a slow tempo before returning to the original speed so the groove stays accurate under pressure. ### How can Bloom Vocal AI help me train Kim Lip's style? Bloom Vocal AI reviews a recorded cover across pitch accuracy, breath support, register transitions, rhythm stability, and expression on a 1-5 rubric, then recommends a specific exercise for the weakest area, such as a passaggio drill when a transition loses support.